"I was just looking at all the props. I realized after a few minutes went by that I had not followed the dialogue at all, because I was so engrossed by it visually."
Cain appreciated the performances and storytelling, but singled out how the show nailed the Fallout “vibe” as its biggest achievement. “I was just looking at all the props,” he said of one scene. “I realized after a few minutes went by that I had not followed the dialogue at all, because I was so engrossed by it visually.”
On a more sour note, Cain took time to address the way fans of the series can behave poorly online, particularly regarding any perceived rivalry between Fallout entries developed by Bethesda (3, 4, and 76), and those from Interplay, Black Isle, and Obsidian (1, 2, and New Vegas). Cain spoke positively of Todd Howard, and said that “Some of the stuff you [series fans] say online is so off.” See also: the debate about whether the show somehow overrode or ignored the events of those non-Bethesda games, which has since been denied by a senior developer at the studio.
I have to admit I was also only looking at the props, because I very much like the visual style. I feel the creators overdid themselves a little, packing (probably too) many references directly in the first episode. Was a little overwhelmed visually and did not follow the story. Will have to rewatch, especially as the start of the episode is not like the games, where you primarily follow one (your) character, and rather not many in parallel.
Not just the props - everything thing from Sugar Bombs and Nuka Cola to the interiors of the vault, the abandoned houses and even a certain drive-in theatre - but even story presentation details like the part at the very start of the very first episode where our vault dweller character presents herself in a way that is lot like the choice of character traits in the game.
Mind you, the story develops and goes deeper way faster than in the actual game (you end up discovering way more of the lore in Season 1 than from playing the games, IMHO) and it has of course a lot more depth in the human relationship between characters side, but all in all it feels like home if you played and enjoyed the games.
I think people are taking the wrong takeaway from this. It is okay to dislike the show, it’s okay to criticize it. There is a difference between not liking a final production and declaring that the people who made it are terrible.
This might seem like an obvious distinction, but I’ve ridden this ride before. Different factions of fans declaring themselves more “loyal” or “correct”- some of them hating everything new and getting nasty about the new creators, and other factions blindly loving all the new things. Each faction declaring the other as fake fans and trying to banish them. It is perfectly fine to not like some things, to express it, and to discuss it back and forth. The smug dismissal that fans have of other fans who have a polar opinion of specific productions in a franchise is exhausting.
Tim Cain seems from his channel and his many talks like somebody who tries to think in this multifaceted way. Unfortunately many people clip his words and run off on tangents against his bigger ideas.
I like the show, the only problem is that it reduces the universe for the purpose of its medium, and factions essentially become people. Otherwise, the show is what I would expect from a Fallout game, a slowly developing main quest where a lot of the experience is in the random encounters and side quests. I’m looking forward to the possibility of them talking about THE courier and their legend, and perhaps even bring out the lore of the random stranger. Worst criticism I have is that its removing a lot of the mystery surrounding Vault-Tec lore by serving it out on a silver platter, it was basically the one mystery that stretched out and was never fully revealed throughout the games, where you actually had to dig into to know more, now being served to any person who watched the show whether they want it or not. It’s sort of like my problem with Starfield, it brings you too close to all the major players in that universe way too quickly, making the world smaller and eliminating mystery, anticipation, and depth before it has had time to ripen.
I read a review that said the show was “too woke”. I haven’t seen anything that’s woke except that a non-binary character exists and is referred to as “them”, and the shopkeepers in Filly seem to be lesbians but it’s not explicitly stated. It’s annoying seeing the word “woke” but it’s also kind of nice that it’s easy to spot the dipshits. Anyone using the word “woke” probably sucks big time.
If you show even the existence of a non binary character, they will call you woke. It’s more of a label about them then it is about three thing they’re criticizing.
I’m guessing this is it. The setting is a 1950’s culture but without the racism and sexism that were rampant at the time. Women and POC holding significant positions in the corporate world, which never would’ve happened in the actual 1950s. It is a fictional world, of course. People seem to forget that.
Which doesn’t really make sense given how jingoistic and rabidly anticommunist the pre war 1950s United States is depicted as being.
Why would such a country ever end racial segregation, let alone permit LGBT acceptance? That would require a massive cultural shift, that is worth at least an entire episode of its own. Without such an explanation it just doesn’t really make sense
The show is fake and made up, and so are the games, obviously. But the racial and sexual acceptance depicted doesn’t really make sense. Obviously there’s no problem in depicted characters that aren’t cishet white men. But why would such characters ever be treated as equal in such a fascist depiction of the United States?
i’m pretty sure the subtext of “woke” is “there are women and non-white people here”
Or that the women in it aren’t explicitly tailored to their tastes. There’s a post going around some places about someone trying to “correct” the image of one of the characters to make them less “woke” (they were wearing a baggy jumpsuit). The resulting character’s back-end looks like it’s been plastiform sealed.
“Woke” used to mean “Aware of systemic social issues”, but has been co-opted by the right to mean “Anything we don’t like”. So, anybody who unironically uses it in the new context is not worth taking seriously. To tell them apart, try asking them how they define “woke”.
It’s amazing to me that “lesbians? owning a shop? impossible!” is a thought that people have. There are lesbians on my street, at my job, and at my Sunday evening class.
I myself am bisexual. It’s just like… we exist man. And if a bomb went off in my city, I am far enough away to survive the blast. So now you’ve got a bisexual guy in the nuclear winter. OoOo so woke.
I haven’t watched the show, but reading your comment about the shopkeepers, the “problem” appears to be that they MAY be lesbians and they exist. That existence and possibility might be a trigger is sad to me. The hateful folks say it’s about homosexuality being shoved in their face, but, really, it’s a total rejection at the heart of their beliefs. It’s why when activists talk about the dangers of this bigotry, we ought to listen, because the existence or mere possibility of gay people being a problem for some people is only a short step away from the solution for those people being elimination.
I’m glad I haven’t been reading much about the show online. I just finished episode 4 last night and I’m really loving the show. They absolutely nailed the visuals and general vibe of the world. I’ll admit to be being skeptical about the show in Amazon’s hands. The Rings of Power and first season of Wheel of Time were just poorly written. Though, I did feel that the second season of WoT picked up a bit. So, maybe the folks at Amazon are learning. My only remaining concern for Fallout is how subsequent seasons go. They have hyped the involvement of Johnathan Nolan who was behind Westworld on HBO. Westworld season 1 was downright awesome. But, the rest of the show felt like they were so busy trying to re-capture that magic that they forgot to tell a good story. Fortunately, Nolan is directing and producing Fallout and not writing it. So maybe it won’t get written into a corner where there really isn’t any more story to tell and several more seasons ordered.
You’re right about the writing, and the moment that sold me that the writing in this show is actually good was when Maximus and The Ghoul are fighting in Filly and instead of showing the entire fight, they cut to the people inside talking. Realizing that the fight adds nothing of substance but showy graphics is usually the indicator to me that the writers are in control of the vision of the show which pretty much always bodes well.
Anyone saying the show recons 1, 2 and NV from the lore must not know a damn thing about 1, 2, and NV not to notice all the things referencing events and places from those games.
I don’t see many people saying that. I see more people expressing disappointment in the apparently underwhelming and abrupt demise of the NCR, which for all practical purposes resets the west coast to a lawless Fallout 1 type state.
I’m not sure where I stand on that, because I could see the unraveling of the NCR as being interesting if expanded upon, but the point is that it is a reasonable opinion to hold. This Tim Cain video isn’t saying people shouldn’t criticize things or that they are unreasonable for not enjoying things. He’s saying that regardless of the merits of a production, you shouldn’t level personal attacks and moral judgements on creators just because you don’t personally like what they made.
That is a fair point and one I share; though I admit my bias. The NCR was always my favorite of the factions (excluding myself through Yes Man in NV) and it just seemed kinda fucked up with what they did to them. Not so much that they basically deleted them, but that they did it off-screen. I hope that future seasons explore that instead of using it as an excuse to not feature the NCR ever again.
They erased the NCR from existence and had contrived plot and cringe dialogue.
The diversity was a strength, though I’m not sure why the Pre-War United States was depicted as being highly jingoistic yet not racially segregated - which the United States was until 1964
People want the thing to fail because Amazon and Bethesda, the opinion has been this way since the first teaser. Glad Tim likes it and i can’t wait to watch it as well when i can, there’s nothing but hype with their trailer.
I swear the problem is the Bethesda old guard, its pretty clear they want to make semi-linear or adventure games but are pigeonholing themselves into making making big open world games. Also I suspect they have a too many cooks situation going on, they need to break up their main studio into smaller teams who work on multiple smaller projects at once.
UE has evolved and changed over time to use new hardware features and adapt to new player needs.
Gamebryo is still the exact same engine that ran Morrowind, just running worse games on faster hardware with more memory. It even still has some of the same bugs, which community patch mods have had to fix for every single game (except Starfield, because that’s become such a clusterfuck of bugs and poor design that even the most dedicated modders have given up).
…Bethesda is a terrible developer and producer with a few good games under its belt that make people really dedicated to it— and I don’t super blame those people. It would be like if half of Zelda games were buggy and unfun and amateur and kinda-ugly trash— and so were most of their other first-party was too— but those three or four great Zeldas and two or three good Marios made people huge fans of the company. Or it would be like, you know, CD Projekt Red making one— maybe two— games so great that people decided all their other games must be great by default even when they’re not (which, well, yeah).
That site visualizes the per-episode reviews from IMDb so its only as good as its dataset.
I find it most useful when choosing between shows, if I know that a series falls of a cliff if the later seasons I might choose something more consistent instead.
My advice would be to search a couple of other series you know and see what their numbers look like. That should give you a benchmark.
Shows that are captivating and offer a glimpse of the long term mystery?
Now the first episode of the Expanse had the same flow; introduce the different character groups, world build, and set events into motion.
It ended with multiple different character arcs in motion - an investigation, political drama, lost in space. Fallout had 3 people set off to start their arc maybe next episode? Vault girl leaves, Brotherhood guy leaves, Ghoul leaves.
The Expanse pulled it off fucking fantastically whereas Fallout just felt flat to me.
Agreed. I think for the way they had to cut it up and introduce so many seemingly “key” characters, it really dragged on for me until about mid way. And I still didn’t have a good handle on the world as a whole at that point. Feeling like I’m missing something the whole time makes me not want to continue.
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Those are usually the incel kids. I blame Blizzard for creating them.
I have to admit I was also only looking at the props, because I very much like the visual style. I feel the creators overdid themselves a little, packing (probably too) many references directly in the first episode. Was a little overwhelmed visually and did not follow the story. Will have to rewatch, especially as the start of the episode is not like the games, where you primarily follow one (your) character, and rather not many in parallel.
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Not just the props - everything thing from Sugar Bombs and Nuka Cola to the interiors of the vault, the abandoned houses and even a certain drive-in theatre - but even story presentation details like the part at the very start of the very first episode where our vault dweller character presents herself in a way that is lot like the choice of character traits in the game.
Mind you, the story develops and goes deeper way faster than in the actual game (you end up discovering way more of the lore in Season 1 than from playing the games, IMHO) and it has of course a lot more depth in the human relationship between characters side, but all in all it feels like home if you played and enjoyed the games.
I think people are taking the wrong takeaway from this. It is okay to dislike the show, it’s okay to criticize it. There is a difference between not liking a final production and declaring that the people who made it are terrible.
This might seem like an obvious distinction, but I’ve ridden this ride before. Different factions of fans declaring themselves more “loyal” or “correct”- some of them hating everything new and getting nasty about the new creators, and other factions blindly loving all the new things. Each faction declaring the other as fake fans and trying to banish them. It is perfectly fine to not like some things, to express it, and to discuss it back and forth. The smug dismissal that fans have of other fans who have a polar opinion of specific productions in a franchise is exhausting.
Tim Cain seems from his channel and his many talks like somebody who tries to think in this multifaceted way. Unfortunately many people clip his words and run off on tangents against his bigger ideas.
I like the show, the only problem is that it reduces the universe for the purpose of its medium, and factions essentially become people. Otherwise, the show is what I would expect from a Fallout game, a slowly developing main quest where a lot of the experience is in the random encounters and side quests. I’m looking forward to the possibility of them talking about THE courier and their legend, and perhaps even bring out the lore of the random stranger. Worst criticism I have is that its removing a lot of the mystery surrounding Vault-Tec lore by serving it out on a silver platter, it was basically the one mystery that stretched out and was never fully revealed throughout the games, where you actually had to dig into to know more, now being served to any person who watched the show whether they want it or not. It’s sort of like my problem with Starfield, it brings you too close to all the major players in that universe way too quickly, making the world smaller and eliminating mystery, anticipation, and depth before it has had time to ripen.
I hope that image is not one from the show. If so it’s pretty shitty and spoilery.
It is from the show but it was part of every single trailer, not much to spoil in that regard.
I read a review that said the show was “too woke”. I haven’t seen anything that’s woke except that a non-binary character exists and is referred to as “them”, and the shopkeepers in Filly seem to be lesbians but it’s not explicitly stated. It’s annoying seeing the word “woke” but it’s also kind of nice that it’s easy to spot the dipshits. Anyone using the word “woke” probably sucks big time.
If you show even the existence of a non binary character, they will call you woke. It’s more of a label about them then it is about three thing they’re criticizing.
I wish I had seen your comment earlier. You said it better than I did just now.
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Woke just means acknowledging that people you don’t personally like exist
i’m pretty sure the subtext of “woke” is “there are women and non-white people here”
same with “dei,” i suppose - all goes back to not liking women and poc 🙃
I’m guessing this is it. The setting is a 1950’s culture but without the racism and sexism that were rampant at the time. Women and POC holding significant positions in the corporate world, which never would’ve happened in the actual 1950s. It is a fictional world, of course. People seem to forget that.
Which doesn’t really make sense given how jingoistic and rabidly anticommunist the pre war 1950s United States is depicted as being.
Why would such a country ever end racial segregation, let alone permit LGBT acceptance? That would require a massive cultural shift, that is worth at least an entire episode of its own. Without such an explanation it just doesn’t really make sense
The show is fake and made up, and so are the games, obviously. But the racial and sexual acceptance depicted doesn’t really make sense. Obviously there’s no problem in depicted characters that aren’t cishet white men. But why would such characters ever be treated as equal in such a fascist depiction of the United States?
Sounds like “woke” is a compliment then. Better then to be asleep and have no clue about what’s going on.
Or that the women in it aren’t explicitly tailored to their tastes. There’s a post going around some places about someone trying to “correct” the image of one of the characters to make them less “woke” (they were wearing a baggy jumpsuit). The resulting character’s back-end looks like it’s been plastiform sealed.
i had forgotten all about Alloy and…was it Lara Croft?…and people “correcting” their appearances, good point!
I’d like to see those Fallout players sit down and try Arcanum if they think the show is “woke”.
Here is an alternative Piped link(s):
Arcanum
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The people saying it’s woke clearly haven’t played fallout 3 which had gay couples lol
I saw some people complaining about Cooper’s daughter being bi-racial lol.
Did they even play the game?
“Woke” used to mean “Aware of systemic social issues”, but has been co-opted by the right to mean “Anything we don’t like”. So, anybody who unironically uses it in the new context is not worth taking seriously. To tell them apart, try asking them how they define “woke”.
Woke might as well be a compliment at this point, anything being called woke just tells me it might be good.
It’s amazing to me that “lesbians? owning a shop? impossible!” is a thought that people have. There are lesbians on my street, at my job, and at my Sunday evening class.
I myself am bisexual. It’s just like… we exist man. And if a bomb went off in my city, I am far enough away to survive the blast. So now you’ve got a bisexual guy in the nuclear winter. OoOo so woke.
I thought they were suppose to open Taco stands. I WAS PROMISED TACOS!
I haven’t watched the show, but reading your comment about the shopkeepers, the “problem” appears to be that they MAY be lesbians and they exist. That existence and possibility might be a trigger is sad to me. The hateful folks say it’s about homosexuality being shoved in their face, but, really, it’s a total rejection at the heart of their beliefs. It’s why when activists talk about the dangers of this bigotry, we ought to listen, because the existence or mere possibility of gay people being a problem for some people is only a short step away from the solution for those people being elimination.
I’m glad I haven’t been reading much about the show online. I just finished episode 4 last night and I’m really loving the show. They absolutely nailed the visuals and general vibe of the world. I’ll admit to be being skeptical about the show in Amazon’s hands. The Rings of Power and first season of Wheel of Time were just poorly written. Though, I did feel that the second season of WoT picked up a bit. So, maybe the folks at Amazon are learning. My only remaining concern for Fallout is how subsequent seasons go. They have hyped the involvement of Johnathan Nolan who was behind Westworld on HBO. Westworld season 1 was downright awesome. But, the rest of the show felt like they were so busy trying to re-capture that magic that they forgot to tell a good story. Fortunately, Nolan is directing and producing Fallout and not writing it. So maybe it won’t get written into a corner where there really isn’t any more story to tell and several more seasons ordered.
You’re right about the writing, and the moment that sold me that the writing in this show is actually good was when Maximus and The Ghoul are fighting in Filly and instead of showing the entire fight, they cut to the people inside talking. Realizing that the fight adds nothing of substance but showy graphics is usually the indicator to me that the writers are in control of the vision of the show which pretty much always bodes well.
Why can’t we all be friends and gang up together on fans of Fallout: Brotherhood of Steel…?
Against all two of them? That hardly sounds fair, now does it?
Those poor souls have suffered enough, don’t you think?
Anyone saying the show recons 1, 2 and NV from the lore must not know a damn thing about 1, 2, and NV not to notice all the things referencing events and places from those games.
I don’t see many people saying that. I see more people expressing disappointment in the apparently underwhelming and abrupt demise of the NCR, which for all practical purposes resets the west coast to a lawless Fallout 1 type state.
I’m not sure where I stand on that, because I could see the unraveling of the NCR as being interesting if expanded upon, but the point is that it is a reasonable opinion to hold. This Tim Cain video isn’t saying people shouldn’t criticize things or that they are unreasonable for not enjoying things. He’s saying that regardless of the merits of a production, you shouldn’t level personal attacks and moral judgements on creators just because you don’t personally like what they made.
That is a fair point and one I share; though I admit my bias. The NCR was always my favorite of the factions (excluding myself through Yes Man in NV) and it just seemed kinda fucked up with what they did to them. Not so much that they basically deleted them, but that they did it off-screen. I hope that future seasons explore that instead of using it as an excuse to not feature the NCR ever again.
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They erased the NCR from existence and had contrived plot and cringe dialogue.
The diversity was a strength, though I’m not sure why the Pre-War United States was depicted as being highly jingoistic yet not racially segregated - which the United States was until 1964
People want the thing to fail because Amazon and Bethesda, the opinion has been this way since the first teaser. Glad Tim likes it and i can’t wait to watch it as well when i can, there’s nothing but hype with their trailer.
Hope it won’t devolve or drag for seasons though.
Why are people upset about Bethesda? You mean because of the Microsoft acquisition?
Horse armour.
And, well, mostly everything after that.
Probably thr fact they’re still releasing things on the same dates engine with the same formulaic stories without any new innovation for decades.
I swear the problem is the Bethesda old guard, its pretty clear they want to make semi-linear or adventure games but are pigeonholing themselves into making making big open world games. Also I suspect they have a too many cooks situation going on, they need to break up their main studio into smaller teams who work on multiple smaller projects at once.
It is not the same engine but a ever evolved one. Saying that it is the same engine would be like saying that UE5 is the same engine as UE1
UE has evolved and changed over time to use new hardware features and adapt to new player needs.
Gamebryo is still the exact same engine that ran Morrowind, just running worse games on faster hardware with more memory. It even still has some of the same bugs, which community patch mods have had to fix for every single game (except Starfield, because that’s become such a clusterfuck of bugs and poor design that even the most dedicated modders have given up).
…Bethesda is a terrible developer and producer with a few good games under its belt that make people really dedicated to it— and I don’t super blame those people. It would be like if half of Zelda games were buggy and unfun and amateur and kinda-ugly trash— and so were most of their other first-party was too— but those three or four great Zeldas and two or three good Marios made people huge fans of the company. Or it would be like, you know, CD Projekt Red making one— maybe two— games so great that people decided all their other games must be great by default even when they’re not (which, well, yeah).
Fallout in their hand isn’t up to the standard of hard-core fans, and also due to FO4’s dialog system, and the technical issue with 76.
6 seasons and a movie
As a person on the internet, I hate how people on the internet are so hateful.
Internet here.
Yo mamma.
That is all.
Yeah people on the Internet are too quick to anger, so I’m told.
I’ll kill you for that remark.
I only watched the first episode and skimmed through most of it as it was kinda boring.
Does it get better?
https://www.ratingraph.com/tv-shows/fallout-ratings-116450/
People like the later episodes more
Can I just say thank you for being the only person to actually answer my question. If that’s the case I might try to power through a few more.
One more question though, it goes from 8.5 to 8.9; is that a big increase?
It sounds like very little but for all I know 99% of shows could be rated from 7-9, where it would be more impactful.
That site visualizes the per-episode reviews from IMDb so its only as good as its dataset.
I find it most useful when choosing between shows, if I know that a series falls of a cliff if the later seasons I might choose something more consistent instead.
My advice would be to search a couple of other series you know and see what their numbers look like. That should give you a benchmark.
What kind of shows are you able to watch when you already need to skim the first episode setting the mood/vibe of the show? TikTok?
Shows that are captivating and offer a glimpse of the long term mystery?
Now the first episode of the Expanse had the same flow; introduce the different character groups, world build, and set events into motion.
It ended with multiple different character arcs in motion - an investigation, political drama, lost in space. Fallout had 3 people set off to start their arc maybe next episode? Vault girl leaves, Brotherhood guy leaves, Ghoul leaves.
The Expanse pulled it off fucking fantastically whereas Fallout just felt flat to me.
Yeah I’m not feeling great about the show. Sure it’s pretty, but it’s so slow.
Maybe that’s a deliberate choice, but as the first episode is, I give it a 7/10.
Not great, not good, but okay.
Agreed. I think for the way they had to cut it up and introduce so many seemingly “key” characters, it really dragged on for me until about mid way. And I still didn’t have a good handle on the world as a whole at that point. Feeling like I’m missing something the whole time makes me not want to continue.
Go watch his video on YouTube, he saw the first 2 episodes, not the entire thing.