The loot boxes came along with the beginning of the changes that really spoke to me. Not the loot boxes themselves, but the pivot away from grinding for objectively better parts and toward a flatter structure where everything had its use case. Of course, it sucks that neither of us can play either of those versions anymore.
The new C&C is Tempest Rising. The new Neverwinter Nights has a variety of answers, from Baldur’s Gate 3 to Solasta to Pillars of Eternity, depending on what you’re looking for. Commandos has spawned an entire genre at this point; not only is there a new Commandos coming soon that looks good, we just had a series of three and a half games from the sadly-now-defunct Mimimi that all fit the bill, as well as that game Sumerian Six just last year.
Games of that era were frequently made a dozen or so people in 18 months. Whether that passes some arbitrary line in the sand for what counts as “indie” or not, I don’t much care; it’s just a market segment that’s been left behind by AAA that I’m waiting for someone to pick up the mantle on. Most genres that AAA have left behind have been filled by now, but FPS games that fit the mold of what we got between ~1998 and ~2016 are still an itch I need scratched. From what I can see on the horizon, there’s Fallen Aces in early access that I’d like to see once it’s 1.0, Core Decay going for a Deus Ex sort of thing, and then Mouse: P.I. for Hire, but I’d still like to see the full package with co-op and deathmatch modes like we got back in the day.
I can only speak for the games I’m most familiar with, and apparently that same problem exists with how these nominees are chosen too, just like the Keighleys. For a second, I thought perhaps the people suggesting the nominees had not heard of Indika, because Indiana Jones and the Great Circle was nominated for narrative and Indika was not. The fighting game category doesn’t hold up very well either, because while the Khaos Reigns expansion is a bit of a stretch, Underdogs is even more of a stretch. Sure, maybe the people submitting nominees haven’t heard of Diesel Legacy (which would be my pick for fighting game of the year), but could you at least be aware of Rivals of Aether II? They didn’t even get Under Night on the list!
They wanted to release it 6 months ago, rumor has it. But they postponed it to shore up supply to meet launch demand, give extra development time to its key launch games, or to squeeze the last bit of juice out of the Switch 1 – or some combination of those things.
The Switch 2 will do just fine, better even, compared to its next closest competition.
I’m not hoping for regulation to catch up. I’m no lawyer, but I don’t think it counts as a monopoly when you reach your market saturation by just being better than your competitors without putting your thumb on the scale. If it did count as a monopoly, I’d hate to break up the best market actor as punishment for giving people what they want. I’m hoping for the competitors to actually compete. Right now, I’d say the only option out there other than Steam is GOG, and there’s a lot I’d like to see them improve too.
The private equity that would control it after it goes private, in all likelihood, would be the same family who controls it today and always has controlled it. They’re not interested in stripping it for parts, but they’re also not interested in scaling their operations down and learning some hard lessons to make a sustainable video game company.
The Steam Deck may have sold a few million copies (four or five from what I hear?), but it’s nowhere near the hundreds of millions of Switches, even in sale pace nowadays.
And yet monthly active Steam users are about the size of all Switches sold over its lifetime, including those who bought multiple Switches as new SKUs came out. I think what the Steam Deck and other handheld PCs capture are people who want to play PC games and play them handheld. Every Switch is handheld, but how many people are they capturing, or will they soon capture, that care very little about Nintendo games and just want to play games handheld? I have a feeling that the “port everything to the Switch” crowd won’t really exist anymore in a world where that game already plays on a similarly-priced PC handheld without having to beg the developers first.
A season pass is a bundle of several DLCs intended to release over a period of time, usually a year, and they usually come with a small discount for buying in bulk or maybe a few extras for buying them all together instead of separately. A battle pass will often have a “free tier” and a “paid tier”, and it’s basically a experience points progression meter that encourages you to keep playing the game longer (and they have an incentive to put the best rewards behind the paid tier to get you to pay for them). Typically battle passes are only available for a limited time, and if you don’t get them while they’re available, you missed out, which creates a greater sense of urgency to play longer during that period of time.
It’s a lot more than that. SteamOS isn’t just Steam Big Picture Mode. There’s some special sauce in there to capture the active window so that you never lose focus of the game window and such. If you just run a Windows machine set to boot into Steam Big Picture on startup, you’ll find lots of times that you have to break out a keyboard to Alt+Tab for a variety of reasons that SteamOS never encounters. And given the other problems Windows has introduced over the past decade, that’s the least of their problems now.
I like matchmaking. I never once found a “community” on a server browser and instead was just frustrated by teams changing rosters mid-match and such. Years later, I’d find that kind of community building in Discord servers and not the likes of de_dust 24/7. But regardless of personal preferences, it’s just about mathematically impossible that matchmaking will sustain a player base forever, so the player-hosted servers need to be there.
One might argue (I might argue) that live service is just a worse version of some other form that game could take, like the old model of expansion packs, self-hosting servers, and such. They’re going to inevitably turn up the dial on monetization, just like Apex Legends did, once one line crosses another line and their current trajectory is no longer sustainable. Live service games have ongoing costs in a way that non-live service games do not, so they need more incoming revenue to justify it. When that revenue doesn’t make up for their spend, they shut the servers off, and the game is gone forever.
Once again, the opposite of “live service” is not “single player”.
Digital Extremes and Bungie were the first formerly singleplayer-focused studios to find major success making MMOs with more action-heavy gameplay
Both companies were known for making multiplayer games before making live service games. BioWare made plenty of multiplayer games before Mass Effect 3.
If you want a term for something that means “not a live service”, “single player” is a bad way to do it.
I started playing at the end of 2015. I saw the game go through a bunch of different forms. The people pulling higher tier weapons into lower tier bots were mostly doing all-in strategies around that weapon, because they didn’t have enough budget left for much else, IIRC. But it was going to be mathematically impossible to support to 10 tiers of 10v10 matches as the game went on anyway, and it became a really fun competitive game with no tiers in early 2017. Then they went for some kind of half-assed return to tiers at the end of 2018 that made no one happy.