I miss the days when there wasn’t as much plot. We didn’t need Samus to have a relationship to the Chozo. They were just cool, mysterious alien statues. They could attack her. Then in Zero they could only have a puzzle battle to help her.
I really prefer the gameplay of Super as well. There aren’t so many speed booster puzzles. No long cutscenes. It’s really good at letting me get into a flow state. The music is great, too. If you’re not good at the game, you can get enough items to make a lot more mistakes. If you’re super good at it, there’s tons of sequence breaks.
Another thing I did not like about Zero was the stealth parts. Also didn’t like the qte in Dread nor the railroading. And the 2 remake’s parry mechanic was also annoying and constantly interrupted flow.
I’m surprised you liked two so much an I found the Gameboy one extremely repetitive. AM2R made it amazing, though, so if you haven’t tried that, give it a go. Not sure where you can get it these days, though.
The plots have also sometimes been meme worthy bad. Other M comes to mind.
Another thing I really didn’t like with some of the plot driven ones was excuses to not have items that were based on Samus being somebody’s subordinate. Just let me explore. Don’t give me a manager.
But if Super isn’t doing it for you, that’s valid. I hope you get more enjoyment than frustration from the series.
Sotn and Super Metroid are definitely ones I have in mind when it comes to positive examples. Axiom Verge is pretty darn good, too.
Other decent ones include AM2R, Bladechimera, Guacamelee, the NES’s Blaster Master, and most of the Castlevania/Bloodstained ones.
Negative examples below:
Metroid Dread - I hated the stealth and the qte
Ender Lilies - bosses are meant to happen at exactly one difficulty
Gestalt Steam and Cinder - puzzley enemies that grind movement to a halt, bosses with immunity phases, the stun mechanic for bosses that meant more cycles if you didn’t gain enough meter or miss your shot, absolutely bonkers plot, artificial barriers to character power
Hollow Knight - this is a platformer first and a motroidvania second. No flow for me, thought I understand that so many people love it. Ori feels like this as well. An some point, both were just about not hitting spikes.
Wonder Labyrinth - the aiming
All the Shantae games. I really enjoy them except when there’s bottomless pits. And there’s always bottomless pits.
There were also a few that weren’t bad, just didn’t quite catch me: Vernal Edge, 9 Years of Shadows, Timespinner.
Flow. Don’t interrupt me. The rest of this just is about it in various aspects.
Make it feel good to move from the get go. Don’t make progression about getting rid of negative traits.
Combat as well. There’s a trend of making the player halt their progress to handle an enemy in a certain way (e.g. gotta wait for the telegraphed shield drop) and that makes backtracking and exploration tedious. It can be challenging going through the first time, but don’t interrupt me with the same thing over and over. Let me ignore the puzzle/timing element by being overpowered or at least let me bypass it with increased mobility.
I prefer bosses (and terrain) that can be overcome with skill or preparation. Like if you book it to them with minimal exploration they’re hard but not impossible, but if you explore everywhere you can and find everything it should be easier. Don’t artificially keep the player’s abilities capped to make things more difficult. Also, no invincibility phases, please.
I dislike items that only provide access like key cards. Every item that opens up more map should be useful in some other way.
If there’s a plot that is more complicated than can be explained in two sentences (Find the Metroid. Kill Dracula.), please make it good. Have non-cliche characters, plots that I can’t immediately poke holes in, plot that isn’t contained in logs that real people would never keep, and reasonable time frames for world changing events to occur. Those things all rip my suspension of disbelief to shreds. Don’t make me sit through world building info dumps. Let me skip scenes and tutorials in case it’s my second time through.
It’s not the start menu or the control panel I’m talking about, but things like being in bed with the IDF post October 2023.
I didn’t mean to set up a comparison or minimize anything, so I apologize. Notch is a total piece of shit. Companies that enable systems of oppression are shitty and I don’t want to see them enable your oppressors once the price is right.
I’m not sure Microsoft is any better when it comes to your Minecraft dollars…
I’ve seen lover’s lab. I know what kind of things NPCs will be forced to call the player.
But it would also be tempting to name a character Jugemu Jugemu Go-Kō-no-Surikire Kaijari-suigyo no Suigyō-matsu Unrai-matsu Fūrai-matsu Kū-Neru Tokoro ni Sumu Tokoro Yaburakōji no Burakōji Paipo Paipo Paipo no Shūringan Shūringan no Gūrindai Gūrindai no Ponpokopii no Ponpokonā no Chōkyūmei no Chōsuke.
Final Fantasy 5, 6, 7, 8, 9, 10, and 13
Not the best example, but here’s one of entering a location and a monster appears right next to you in a puff of smoke https://youtube.com/shorts/6tyJ_zw0OMA
This completely invalidates being careful or stealthy. I can’t feel paranoid if I know it’s not a mechanical counter to lurking enemies. I’m just going to run straight in because either way, enemies will suddenly appear so there’s no advantage to not just running straight in, and that doesn’t feel tense.
Remember that other sequel with puppets?
Or the one with the CGI chipmunks?
I hope this one fares better.
GURPS has two letters that I think are the best: Generic and Universal. You can run anything in it and switch it up as much as you want. You could run campaigns similar to any of Star Trek, Star Wars, Stargate, Sliders, Brisco County Jr, Walking Dead, Harry Potter, etc., and have the ability to do crossover episodes.
I looked at the data permissions for the Android Shining Force one. They collect you location, email, and purchase history among other things.