“Humans are just imperfect crabs.” - @pH3ra@[email protected]
Trying to be the best crab I can.
or a silly, halfwit race to build out the infrastructure (because they’re smoking their own product) that could crash the economy.
You’re only seeing the upsides - make nifty pictures, ai music, whatever - because the entire shitshow is a free or exceptionally underpriced preview of what’s to come. while everyone from google to grok to your mom fails to find a way to actually profit off of it all when they have to figure the costs of the water, power, training data, lawsuits and other shit into the actual equation it blows up.
These aren’t my ideas - please, take a break from your preconceptions and read:
https://futurism.com/data-centers-financial-bubble
https://www.dailykos.com/stories/2025/8/22/2339789/-Why-The-AI-Bubble-Will-Burst
Yup. How bad did the situation have to get before a group of people decided to take matters into their own hands and resolve a persistent unaddressed serious flaw with their operation that was constantly endangering children?
It’s fucking mind numbing to think that Roblox wants to step in and stop the vigilantes instead of - SIMPLY - fixing the problems to protect children from pedos. Holy hell
so far the only legit critique I’ve seen is the uncertainty of what this will mean to indie devs - will they be forced to sign with publishers who can assist with compliance etc., what will compliance actually look like to small shops, etc.
I will say this: the vast majority of game devs feel the same way and want to be able to play the games we paid for as well. there’s just a bit of fear of the unknown for small devs.
spin up 5 projects. hire devs from all over the world, make them work on site in person. people upend their entire lives for a chance at a stock option.
cancel 2 after 10 months.
cut the teams on two of the others.
cut the teams again.
and again.
oh wait hire like crazy and overcorrect so we can
cut the teams again.
Then cancel 1d3 of remaining projects, announce <OLD IP>REMASTERED
All devs cut never neared their stock vestment, all shares returned to the mothership, start to consider spinning up 5 more new projects.
I’ve seen it second hand; it’s wretched. imho many of these monetization mechanics should be restricted to 21+.
Soon as I realized I had a problem, I uninstalled the game. Couldn’t even talk about it for a long time without wanting to reinstall. F
props and respect for recognizing it and getting yourself out. that takes character.
tbh, I loved SuperGiant’s themes and aesthetics, but not their gameplay. So often early games of Bastion and Transistor felt squishy, or like I was playing underwater - the response loop from button push to effect on screen seemed laggy. Tried both on various platforms, never really got past that feeling. lovely soundtracks tho
It’s an alternate timeline where Jessica had a daughter instead of a sun
this is what the bene wanted. a daughter Atreides to mate with Feyd Rutha Harkonnen - but Jessica wanted to satisfy Leto.
and Leto defeated the Harkoenens during their invasion, so Leto rules over Arrakis for the indefinite future, leaving space in the story for fetch quests and base building.
uhhh so this is an entirely different fiction huh
Apparently the firemen disappeared too, so you have to solve the mystery.
I suspect you mean fremen…
why even bother licensing the story if they’re determined to change everything?
how strange
I think every downturn in gaming history has led to explosions in indie dev studios and products.
this one feels a bit different; first time I’ve seen companies posting record profits and bragging about them, while laying devs off in absolute droves. it’s almost as if consolidating a billion competing IPs into a handful of publisher/owners who don’t really care about games per se, but see the enormous financial value in controlling the IP and production landscapes may have been a bad idea.
don’t get me wrong, someone comes along and offers me billions for my company, probably gonna take it, but you can see how it becomes reductive; and then the people calling the shots end up knowing very little about the actual mechanics of the industry… yeah we’re in for very fun times.
Indies will keep producing great stuff. Some of them will also get gobbled up. Support the rest please!