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I gave up on it for now when the questline involving the NPC learning to write broke, and then I started crashing to desktop (without any logs anywhere, either in the Buffout directory or even in Windows’ Event Viewer) every time I left the Swan or fast traveled directly to it, even though traveling to another point literally fifty feet south worked just fine. And since there’s no logs describing the crash, I have no idea how to fix it.
I could probably fix it by uninstalling and re-downloading it again, but I have a goddamn data cap that my roommate already blows through every month with the fucking massive updates Fallout 76 has taken to pushing out, I have zero desire to download 60 GB of data (30 GB base game + 30 GB FOLON) every fucking time I sneeze wrong and make the game start crashing again. =|
It’s pretty okay. If you like the gameplay loop of scavenging parts to maintain and upgrade your car, and don’t mind the roguelite elements, it’s pretty fun, and it does a good job of creating tension–there’s been multiple occasions where I wanted to loot more but I was out of time and likely to die if I stayed much longer.
The world building is immaculate, but IMO unfortunately the plot doesn’t really pay off, and the ending isn’t… super satisfying. It does enough to drive you along (no pun intended). The best part of the game is easily the soundtrack, and the best song in the soundtrack is easily The Freeze.
Are you talking about the chibi models vs. more realistic models? I think that was an artifact of an FF trope left over from the NES era where the world sprites were limited to one tile due to NES hardware limitations while the battle sprites were more detailed 1x2 tiles, and this was kept all the way up to FF6 where they finally used the same sprite for world and battles.
I have no clue why they went back to using different/less detailed models for world exploration in FF7 (if I had to guess they were unfamiliar with the PSX hardware and the chibi models used fewer polygons), but that go a long way to explain why the FMVs sometimes used different models–IIRC, the FMVs with chibi models played directly from the field, and the ones with more detailed models had some kind of scene transition into them, or otherwise were used for major plot beats. It’s good they abandoned this entirely with FF8 onwards, though.
For what it’s worth, this was largely my own opinion, and on a personal level, I found 4 to be enjoyable, if vaguely bland, while Apocalypse was the first mainline SMT game whose story and characters I legitimately enjoyed and found engaging, even while I was insulting Asahi every time she opened her goddamn mouth. Yeah, the game falls victim to the whole “this entire mess would have never happened if the main characters weren’t fucking idiots” syndrome, but at least I felt something while the plot was happening, which is more than I could say about SMT 1, 2, & 4 and their cardboard cutout characters with the depth of a sheet of paper. (Not to say that I didn’t enjoy SMT 4’s story at all, I found the world and overall plot engaging. But the character writing and dialogue is some of the weakest I’ve ever seen, and I’ve read bad fanfiction. I’ve written bad fanfiction.)
OK, so I actually know a fair bit about this series since I went through (a good chunk of) it semi-recently myself!
The mainline SMT games all take place in post-apocalyptic Japan, where your party is yourself, maybe a few other humans, and most importantly, demons that you recruit, level up, and combine together to make new, more powerful ones. Like someone else said, SMT is sort of like Pokemon, but instead of fighting with cute electric rats and furry bait, you fight alongside various mythological figures (…and furry bait). The SNES games are first-person, grid-based dungeon crawlers, but later games largely drop the grid-based aspect.
Anyway, I started out with Shin Megami Tensei 1 on the SNES. It was pretty darn enjoyable, though I used a walkthrough–if you play the SNES games, I strongly recommend doing this, because both games are basically one giant labyrinth with an overworld. A walkthrough is pretty much mandatory to navigate which demons are worth recruiting and merging together, and to find the various secrets and treasures scattered throughout the world. A nice thing about the first game is that the level scaling is well-paced; as long as you don’t run away from battles and are smart about your recruitment and demon fusions, you should generally be able to keep up with the power level of your enemies.
As for SMT 2… well, it spikes the difficulty up much higher than the first game. to the point where I actually wound up giving up about 10-15 hours in, even with a walkthrough and using save states. I had reached a point where the enemies were outleveling my demons and killing them over and over, I couldn’t easily afford to revive them, and I was having trouble recruiting new demons to merge with my existing party into more powerful ones–there were multiple instances where even when I used save states to explore the demon’s entire recruitment dialogue tree, it either took my valuable items/money and ran away, or attacked me. Forced to choose between sitting and grinding for at least 5-10 hours, or moving on, I moved on.
SMT 3 on the PS2 is the first real “modern” shin megami tensei game, and it introduces the press turn mechanic that forms the core of the mainline SMT series from that point on. Press turns work by giving each side a number of actions they can take based on how many members are in the party–in other words, if you have 4 members active in the party, you have 4 actions. If you hit an enemy’s elemental weakness, you’re given bonus actions you can take (up to a max of 2x your base actions), and if you miss an enemy, or attack them with an element they nullify, reflect, or absorb, you lose turns. Crucially, this also applies to your opponents as well, making combat tense, tactical, and deep: your demon is the only one that uses ice magic, which the enemy is weak to, but your demon is weak to lightning and the enemy can use that element. Do you switch out this demon to cover your own weakness, or keep it in to better exploit the enemy’s weakness? Remember, if the demon dies, you not only have to spend a turn summoning a replacement, but your baseline actions go from 4 to 3, so you’re penalized twice.
Admittedly, I didn’t play SMT 3 myself, because it has That One Fucking Spell called Beast Eye, which is something only opposing demons can use, and spends a single action to grant the AI two turns (or Dragon Eye, which grants four turns). This gives SMT 3 a reputation for being incredibly difficult, even by the standards of SMT, and frankly I had no appetite for that after having just given up on SMT 2 over difficulty. That said, everybody I speak to who has played SMT 3 says that it’s one of the best RPGs on the PS2, however, so it’s still highly recommended, and later games mercifully got rid of Beast/Dragon Eye.
SMT 4 is… odd. It starts out looking like a much more generic fantasy setting, but it most assuredly is not. It’s good, but it also very clearly is straining against the limits of the system it’s on. SMT 4 Apocalypse is also extremely good, and I would suggest playing SMT 4 just to play SMT 4 Apocalypse. I won’t say too much about SMT 5 except to note that it’s also good and I recommend it strongly.
There’s also Persona. Where SMT is a post-apocalyptic dungeon crawler, Persona (at least from 3 onwards) focuses much more heavily on time management. You play as a Japanese high school student in Persona, so a lot of your activities are based around juggling a schedule: attending classes, going to after-school activities, working part-time jobs, spending time with your various party members to build relationships, and saving the world in between. Persona is also different in that instead of having mythological figures fight alongside you as distinct party members, they’re instead Personas that act more like Stands from JoJo’s Bizarre Adventure–they just give humans the ability to cast magic. Notably, the main character is typically the only one who can change their persona-- your companions all have their own persona, but they’re stuck with the one they have, which conveniently gives them their own static elemental strengths/weaknesses and roles. The other big difference is that (up until Persona 5) the main dungeons were more roguelike, procedurally-generated designs, than the static designs of mainline SMT.
If you decide to play Persona, I’d start with Persona 3–either Reload (the recent remaster) or Persona 3 Portable (which has some extra content like that wasn’t included with the remaster for some godforsaken reason). DO NOT start with Persona 5 like I did–to be blunt, it’s way more polished than 3 or 4, and it’ll be hard to go back and enjoy the previous games afterwards. You can also technically start with Persona 1 and 2, but they’re waaay different than the later entries–they lack the time management/dating sim aspect entirely, and honestly there isn’t a whole lot of reason to play them unless you wanna beat the shit out of Hitler for some reason.
I’m no game designer or coder so I’m just going off what I read on Wikipedia, but… Apparently the Saturn was a mostly 2D focused system, so it had a processor that could do warping and manipulation of sprites. So when it drew a “polygon” it was really drawing together a bunch of sprites and manipulating them.
…yeah.
Nobody wanted to develop for it because it had an insanely complex architecture (3x 32-bit processors and dual CPUs that shared a bus and couldn’t access RAM at the same time), and developers in the 90s were unaccustomed to multi-core programming. It also used quadrilaterals for the baseline polygon instead of triangles. All this was made worse by poor development tools around launch, leaving most coders stuck using raw assembly language until Sega wrote custom libraries.
Sega also never really had a killer app for it like Mario 64 was for the N64, or FF7 was for the PlayStation. They were developing a game called Sonic XTreme, but it wound up getting canceled.
My thinking in regards to the humor is that it’s very strongly late 90s/early 00s edge humor. A lot of the game’s humor is based in cute, cartoony characters swearing, drinking, fucking (off-screen), and being maimed and blown up into gruesome chunks of low-poly meat. It’s also very British–Rare is based in the UK, and it really shows through in this game, from the characters’ accents, to the whole game’s plot being kicked off by Conker getting lost while drunkely stumbling home from a pub that wouldn’t be out of place in an English village.
If you’re a fan of, or nostalgic for, the style of edgy shock humor animation from that period–things like classic South Park, Happy Tree Friends, (jfc how do I say this without getting automodded) R-worded Animal Babies, or Scoundrels (a British skit comedy show starring puppet animals), this game will be right up your alley. Even if you’re not, I’d still say to give it a try–underneath the swearing, poop jokes, dated movie references, and low-fidelity gore, it’s still a platformer by Rare while they were at the top of their game.
Holy crap, what a garbage ragebait article
Saving you a click: there’s no new info here, it’s just the same hullabaloo over the guy who made the accusations rescaling the models so they’re the same size, and the author treating it as proof they faked it all
Which, I don’t personally have a strong opinion on whether it’s faked (especially since it’s been pointed out that models made using different programs and for different platforms can import in drastically different sizes) but it feels kind of disingenuous to say that it’s faked just because of that, y’know? It’s like if an artist takes a 1440p resolution image, traces over it, and posts the traced image in 720p resolution. I wouldn’t consider blowing up the traced 720p to 1440p as “faking” it or altering the traced image.
The Sharrans’ Shadow Ambush ability will now only trigger on weapon attacks.
Son of a… I just did this stupid fight YESTERDAY and they nerfed it the very next day! The mages causing 10-20 AOE necrotic damage every time they cast Darkness was easily the single most BS part of the fight, I had to look up a cheese blade barrier/wall of fire strategy to eventually beat it.
The only game my 1060 truly struggled with was my pirated copy of Hogwarts Legacy, though there has been a few other games that would chug in parts like RDR2. I wound up replacing it with a 6950XTX I found on sale for less than some lower end cards like the 3070, so I think I made out okay.
(I really wish I’d picked a better game to upgrade over than fucking Hogwarts Legacy, though. Biggest disappointment in years.)
It’s very user friendly in terms of tooltips, and if you don’t make deliberately bad choices during level up (e.g. taking a feat that gives you a cantrip from the Wizard class… that scales off your INT score… while playing a Barbarian with 8 intelligence that can’t cast spells while raging) it’s fairly difficult to make an unplayably bad character.
There’s a few cases where some general knowledge of D&D is helpful, such as knowing to never take True Strike because it’s literally worse than just attacking twice and having some knowledge of good builds is useful, since it helps guide what you take when you level up. That said, there’s also entire categories of actions in BG3 that don’t really have an equivalent rule in TTRPG 5e, such as weapon proficiency attacks, so online cookie cutter builds don’t capture the full extent of what you can do.
I’m going off the Ars Technica article on this 🤷
Today’s launch is for the PC version only. Versions for Mac, PS5 (September 6), and, eventually, Xbox consoles are due to arrive in the coming months.
This is gonna turn into the gamer version of “this is extremely dangerous to our democracy” isn’t it