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I’ve read similar things about the development of Morrowind, about creative decisions needing to get past Todd, in this excellent article about its development.
Here are some quotes from Michael Kirkbride:
I can definitely believe his influence has become immense following the studio’s success - though it definitely feels like he needs to hand the reins over to somebody else.
It’s almost as if people get old and become less efficient at everything, regardless of where they started from.
The quote above is from Morrowind, so I’m curious to know when you think he lost his mojo. Like, Daggerfall? I mean, I could agree with that, but it seems like a hot take.
Personally? Around and after Skyrim.
Fair enough. Seems like the micromanagement was there both before and after that point, though, so it’s probably not a symptom of that. Although it could be a contributing factor that having more games in developement doesn’t fit that personality type as well, but it’s probably impossible to say without actually working with him directly.
Only semi-related, but I’m playing through modded-out Daggerfall Unity on my Steam deck and it feels so fresh. It’s the best kind of remaster: it feels like how you remember the game playing, not how it actually did.
It was always a cool thing, and I’m glad it’s an official cool thing now.
Honestly, Daggerfall is such a bold, crazy artefact. I bought it at launch, couldn’t believe the back of the box pitch and was shocked to see how much of its bonkers concept does translate into the game. I was hoping the whole procedural planet thing from Starfield would be a bit of a return to that, but from what I read that didn’t quite pan out. I haven’t gotten around to playing it for myself, though.
Kirkbride got such a wild and interesting take on fantasy, it’s a shame his influence on elder scrolls have diminished with time.
The loss of Ken Rolston and Kirkbride and the rise of Emil Pagliarulo is what fucked the elder scrolls writing.
You shouldn’t hand your big epic fantasy world to a guy who couldn’t give a fuck about the lore or stepping on the toes of other writers.
Wasn’t there a report where some of the devs called him a seagull because he would just fly by whatever you were working on and shit all over it? Maybe I’m misremembering who that’s attributed to though, there are lots of terrible people in games.
That tactic for his crazy monster designs is a classic psychological trick, but I can’t remember what it’s called. It’s a thing where you’re more likely to get someone’s help by first asking for more help than you want/need, and then when rejected, you can scale it back, and they’ll more likely concede
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Considering it says the opposite works as well, it seems being obnoxious and persistent is the key here. 🤣
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The anchoring effect
That just seems too hilarious to be true, specially the first part. Specially given that a lot of the lore preceded Morrowind and already created the setting for the place it would be set in: https://images.uesp.net/thumb/3/39/DF-map-Tamriel.jpg/400px-DF-map-Tamriel.jpg
Honestly I don’t think anyone should have that kind of power over a AAA game these days.
I disagree, AAA especially would benefit fromsomeone with that kind of power at the helm. Most AAA games feel like committee games, no clear vision besides appealing to the lowest denominator. The reason Kojima games are so praised and polarizing is because he has this kind of power to make sure his vision gets realized.
If everything has to go through Todd and the end result is Starfield then that just means Todd isn’t suited to have that much power.
I would say that someone like Kojima is the outlier. There are not many developers like him that can make all the decisions about a game and make the right ones/make decisions that gamers actually agree with. Even Death Stranded wasn’t as big of a hit as people expected it to be. It has developed a large cult following, but it didn’t quite have the same fan appreciation when it launched.
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Care to give any examples of devs in his position that don’t make good decisions?
Well Todd Howard is a good example. And I have very little faith in whatever Peter Molyneux puts out next. Thankfully there are many example because not many people are given the type of control over a game that this articles is talking about.
I personally don’t think Todd Howard is a good example to back your point
It works pretty well for Miyamoto and Kojima.
And Miyazaki
Of course, they are two of the top game directors in the industry. But I think you will find a lot more examples of games where it doesn’t work.
Well you did say anyone