



I think this just a sign of changing times regarding how games are made. We’ve come a long way from the days when one programmer added multiplayer into Goldeneye at the very end of development, that could never happen today. And those are the footsteps Halo 1 followed in, they didn’t even have Xbox Live until the sequel.
Today, I think trying to make a game do a little bit of everything may risk struggling to stand out against titles that focus all of their development resources on just doing one thing really really well. You do have a point that having solo content to fall back on is at least a safety net, but does the opportunity cost of implementing that solo content make it even harder to succeed as a multiplayer game in such a competitive market?


I think that’s a rather shallow way of looking at. Would you describe something like chess as ‘lazy’ then?
A good competitive game has to put a lot of thought and care into its design to make it so that two players trying to make each other miserable actually ends up coming out the other end as a fun experience.


It’s a purely narrative game, the original version (this is now a remake of a remake in a new engine) was made in RPG Maker but without any RPG elements. Walk around, talk to NPCs, watch the story unfold.
The one big thing it has in common with Undertale is that the less you know going in, the better. If the art style and vibe is enough to get your attention, go ahead and give it a shot, go in blind.
Physical copies, yes. If it’s a game I absolutely know I’m definitely buying and I want it badly enough to spend full price and I want to play it on day 1, I’ll preorder to ensure it ships on day 1. Because if I actually ordered it on release day, it’d take a few more days to ship. Last game I preordered was Kirby Air Riders, and I’m very happy with that purchase.
As for Early Access, my criteria is to just evaluate the game in its current state - if it offers enough to be worth buying now, I’ll buy it now.
Attending Combo Breaker is the highlight of my year every year. In 2025 I was able to fit Frosty Faustings into my travel budget too. Managed to place 17th in Mystery Bracket both times, and they were very wild bracket runs. I saw Gyakuten Puzzle Bancho and turned to my opponent to utter a sentence no one wants to hear in Mystery: “I’m sorry, I know how to play this game.” Also at CB I was able to make it out of pools in Under Night In-Birth II, and it was a hella stacked bracket so I’m pretty happy with that one.
Been focusing more on my mahjong career, attended Riichi Nomi Open and Philadelphia Riichi Open as my first two tournaments. Didn’t do so hot though. But of course, when I win it’s because I’m skilled, when I lose it was just bad luck.
New arcade opened up near me with modded Maimai, Wacca, and Chunithm cabinets. I told myself I’m never going back to Round 1 again, though R1 does have the new official international Maimai now so I guess that’s something. I also got back into Dance Dance Revolution a little, but I’m still not very good.
As for actual new releases, Deltarune is obvious. Kirby Air Riders is a sequel I waited 22 years for, and it was worth the wait. The original is one of my favorite games of all time and I’m blown away by how much higher they raised the bar. Online City Trial is everything childhood me ever dreamed of. And I have to shout out Rhythm Doctor finally exiting Early Access, the final chapter is a wonderful conclusion that gave me a lot of emotions.


Text that’s written in kana-only can actually be kinda difficult to read. Japanese is written without spaces between words, so kanji helps to distinguish where words actually begin and end. The language is also full of homophones, words that are pronounced the same but are written with different kanji to disambiguate them.


Unicode has over 100,000 kanji, though the vast majority of these are esoteric kanji that are rarely used. You could trim it down to just the Joyo kanji list, consisting of 2,136 characters for everyday use.
The Fiend’s Cauldron from Kid Icarus Uprising. At the start of a stage, you have to wager currency on how high of a difficulty you want to attempt, on a sliding scale from 0.0 to 9.0. Higher difficulties cost more to play, and if you fail, you lose your bet and the difficulty drops if you choose Continue. It’s an interesting system for how it forces you to check your ego and self-evaluate just how much you think you can handle.


Did you have a modded console? Without modification, the 10NES lockout chip prevents PAL cartridges from running on NTSC or vice versa. But it is possible to disable the chip to get around this.