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Cake day: Jul 22, 2024

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You see, the patent system is based on a “first to file the paperwork” basis, thereby enabling literal legalized theft. Neoliberalism at work, precisely as designed.



That is absolutely an issue I have, but it’s a whole separate can of worms. One I could talk about all day. Right now I’m just comparing Epics meaningless, useless review system against Steam.


I don’t disagree that’s a problem, but that is not what I said or implied. That’s the reason Steam has other mechanisms for scoring and scaling reviews. There are plenty of valid reasons for “review bombing” that are organic and natural consequences of developer activity: like adding Denuvo a year after release, adding a launxher or login/account requirement after the fact, etc. Making reviews “invite only” is anti-consumer.



The way Epics reviews work are awful, though. They are trying to be really attractive to developers but they aren’t attractive enough to USERS.

For example, you have to be INVITED to review games on Epic. The system is automated and will occasionally ask for a review after you close a game, assuming you’ve been playing long enough. They claim it’s to avoid things like “review bombing”, but that’s a cop-out to shield bad developers/publishers from the repercussions of their actions (like when Denuvo was non-consensually added to Ghostwire Tokyo a year after release).


You just touched on the problem, which is a confluence of Base Rate Neglect and Availability Bias.

UE is the most popular gaming engine, so it’s used on the most projects and has a high amount of visibility. No matter which engine you build a game with, there are many factors to keep in mind for performance, compatibility, and stability. The engine doesn’t do that for you.

One problem is that big studios build games for consoles first, since it’s easiest to build for predictable systems. PC then gets ignored, is minimally tested, and patched up after the fact. Another is “Crysis syndrome”, where developers push for the best graphics they can manage and performance, compatibility, and stability be damned - if it certifies for the target consoles, that is all that matters. There is also the factor of people being unreasonable about their hardwares capabilities, expecting that everything should always be able to run maxxed out forever… and developers providing options that push the cutting edge of modern (or worse, hypothetical future) hardware compounds the problem. But none of these things have anything to do with the engine, but what developers themselves make on top of the engine.

A lot of the responses to me so far have been “that’s stupid because” and then everything after “because” is related to individual game development, NOT the engine. There is nothing wrong with UE, but there are lots of things wrong with game/software development in general that really should be addressed.




So it’s because the developers paid attention to optimization and polish to ensure the game ran well on the largest number of devices.

My point exactly. It’s not the engine, it’s what you do with it and how you do it.


I tried it again recently and starts out tolerable but gets worse the bigger your city gets, even when you lower settings. It would be one thing if the game looked amazing and had these deep, detailed simulations… but it just looks okay and the digital corner-cutting trickery becomes obvious when you start looking closely. I feel like there is something fundamentally wrong under the hood of Skylines 2.


So what you’re saying is that Tekken being a fighting game just magically made a “bad engine” run well?


Fortnite, Wukong, Tekken 8, Layers of Fear, Firmament, Everspace 2, Dark and Darker, Abiotic Factor, STALKER 2, Jusant, Frostpunk 2, Satisfactory, Expedition 33, Inzoi, Immortals of Aveum, Starship Troopers: Extermination, Ninja Gaiden 2 Black, Lords of the Fallen, Robocop, Myst (UE5 remake), Riven (UE5 remake), Palworld, Remanant 2, Hellblade 2, Subnautica 2… and the list keeps growing.

When a big studio skips QA and releases a broken game, it’s not the engine’s fault, it’s the studios fault. As long as consumers tolerate broken games that can maybe be fixed later (if we’re lucky) then companies will keep releasing broken, unfinished, unpolished, untested games. Blaming UE5 is like blaming an author’s word processor for a poorly written novel.




Next, they should ban hate speech from their own forums.


…prepping his new extraction RPG for early access, but he’s not too worried about its launch because he reckons Steam’s algorithm is “impenetrable,” and as long as the game is good it’ll get in front of the right people.

“…extraction RPG…”

Oh no. Oh no.


Together? Because I’ve never been able to play any of their games without major desync problems. The same desync bug has been in every one of their games since the beginning.


The FOV is also broken on all cutscenes for any display that isn’t 16:9… which is weird, because gameplay is just fine. It’s almost like the folks who worked on gameplay and the folks who worked on cutscenes were from completely different companies.


The only way it makes economic sense for a buyer is if the Guillemot’s are kicked to the curb and never allowed anywhere near the entertainment industry ever again.


“How dare you use a word that means ‘genocidal, imperialist, apartheid, ethnostate’ in a way that means ‘genocidal, imperialist, apartheid, ethnostate’!” - Twitch, active supporters and enablers of genocidal, imperialist, apartheid ethnostates.


It’s always been a very ugly game. I never expected that to change… but games are a lot more than graphics. Minecraft still looks like Minecraft, after all.


Something tells me that platform exclusivity is a major factor. And yet, they keep doing it.


If I had any expendable income right now, I’d preorder for that stance alone.