Partially agree. The series as a whole fully agree, game by game is iffy

XC1 can absolutely stand alone and really needs you to go in blind

XCFC doesn’t make sense without having played XC1

XC2 again can stand alone but you’ll catch some story stuff sooner if you’d played XC1

XCTTGC makes no sense without XC2

XC3 is this bizzaro mess I’m still not sure what the fuck happened but I think it does need XC1 and 2 background knowledge

XCFR retains XC3 heavy reliance on the previous games, but cranked up to levels that makes the Star Wars sequels seem almost reasonable

How dare you, you forgot the Ardanian soldier. He was very specific and clear

Combination of anti large company sentiment + people feeling entitled to get things for free if I had to guess. It also usually feels wrong when a corporation threatens a lawsuit over a single person since the US court system heavily favors the person with more money and it’s probably a true statement to say that Nintendo has more resources than the lead dev.

Modern Vintage Gamer on YouTube had an interesting take in that by stifling emulator development now it will hurt the industry in the long run because Switch exclusives will become increasingly difficult to play once support ends (an argument I myself don’t find all that compelling)

Nerrel on YouTube has a well put together and researched video on emulation where at least in the US it’s been tested in court several times that emulators are legal, but obtaining the code for the emulators to run is almost always not since you usually have to make a copy and that violates the publisher’s right to copy

I’m genuinely curious how saying that Linux GUI desktop has issues equates to gargling Microsoft’s balls?

So many people forget that while they understand how to use a Linux terminal and how Linux on a high level works, not everyone does. Plus, learning all of that takes time, effort, and tenacity, which not everyone is willing to do. Linus’s whole conclusion was that as long as that learning curve exists and as long as it’s that easy to shoot yourself in the foot, Linux desktop just isn’t viable for a lot of people.

But Linus has done a lot of public fuck ups therefore everything he says must be inherently wrong.

Whenever I replay OOT I never have a problem with Navi. She rarely hard interrupts, usually just a short tone and flashing C button that goes away after a few seconds. The voice lines only trigger if you press the button to call her, in most cases the hints she gives are genuinely helpful, and stays out of your way for the vast majority of the game.

Fi from skyward sword though… Far worse because she does interrupt gameplay, often repeats what the last dialogue box just fucking told you, and takes several dialogue boxes to tell you what Navi would have taken one to do. I’m glad they significantly overhauled her interactions in the HD release but I’m still going to be hesitant to play that game again

Yup your right, I was wrong. Valve keeps the copyright regardless.

Dolphin situation was different though. https://dolphin-emu.org/blog/2023/07/20/what-happened-to-dolphin-on-steam/

Valve only ever insisted that Nintendo had to give Dolphin permission to distribute since Valve was afraid of a potential DMCA coming from Nintendo if Nintendo thought that the encryption keys were IP illegally being redistributed. Since Nintendo says emulators are illegal everywhere but a courtroom, Dolphin team knew that they’d never get an ok. Valve probably knew that but didn’t care enough to help fight that legal battle.

I’m not sure Valve cares about brownie points with Nintendo. The Steam Deck is a direct competitor against the Switch, Valve has done nothing to curtail the use of Switch emulators on Deck, and the work Valve has been doing makes using a switch emulator a better experience.

This whole thing only makes sense if Valve wanted to protect their IP. Involving Nintendo really does sound like blame shifting without having to actually go to court

I’m with you on the first part. It makes no sense for Valve to do this. Using LibUltra or not, Nintendo has been relatively lax on people creating new code for the N64. At least to my recollection only in cases where Nintendo felt their IP was directly being threatened did they try and take down fan projects. Even then they heavily rely on the redistribution of Nintendo IP to take things down. Admittedly I have only seen others talking about the Portal 64 project using LibUltra but even so that’s Nintendo’s fight, not Valve’s.

I don’t see how Valve could possibly be afraid of getting sued here by Nintendo, it doesn’t make sense. Valve did not create it, nor distribute, advertise, or aid in any way. IANAL but I don’t see how Valve could possibly be listed as a party to the lawsuit unless Nintendo lawyers agreed with Valve lawyers to go after this guy for IP theft.

TBH I see this more as Valve seeing that with a project this publicly known, if they don’t defend their IP here they’ll lose any future copyright claims and want to prevent it. They also see an opportunity here, blame Nintendo who won’t flinch it at since they get labelled legal bad guys all the time, no real dent to their reputation while saving Valve’s internet golden child perception. Valve would never do something like this so it MUST be Nintendo’s fault. Based on the comments in this thread and I’ve seen else where, that seems like a good assumption. Nintendo takes the heat while Valve protects their IP.

needed to add a mechanic to slow time down

The devs actually thought of that. There are two auxiliary time control songs. One slows down time by ~50%, the other jumps ahead to the next dawn/dusk. MM3D revised the latter to allow to jump to any top of the hour across the next 12 hours.

Any of the scarecrows around town teach it to you just by talking to them, but they do so by describing the songs, not teaching you the notes

The way I think about Majora’s Mask as a Zelda game is that in addition to exploring the physical world, you’re also exploring time. That does necessitate “backtracking” by forcing time resets and a lot of waiting around if you don’t immediately know what you can be doing in parallel (though the two time control songs make that part easier).

With the exception of the dungeons themselves, the game typically fast tracks getting you back to where you were when you just reset. Some mechanics like that the game forces on you pretty quickly (song of soaring fast travel), others it lets you figure out on your own (dungeon boss instant warp after beating them the first time).

Side quests can be a bit more troublesome to deal with if you have to reset part way through, but each interaction point that you have to go through offers you another way to handle things (or to not and let another sequence of events happen).

To your last point, the game really throws refillable items at you in the overworld, so a lot of times you can skip that (I’m not saying stocking up doesn’t take forever on reset, it does. You just don’t always have to)

All in all I really love the time mechanic of the game and that let’s me forgive some of the other flaws of the game. If it fell flat, then yeah I can see how the game quickly becomes a chore. But I adore the game, hence the username