According to Press Engine data, the global pool of games journalists has shrunk by 25%
“For quality games media, I continue to believe that the best form of stability is dedicated reader bases to remove reliance on funds, and a hybrid of direct reader funding and advertisements. If people want to keep reading quality content from full time professionals, they need to support it or lose it. That’s never been more critical than now.”
The games media outlets that have survived, except for Gamespot and IGN, have just about all switched to this model. It seems to be the only way it survives.
Anecdotal, but I have never read a game review in my life that was from a journalist. It’s always been in forums, and lately some small youtubers. I want to hear from normal gamers, not people getting a paycheck for it.
Back in the late 90s-early 2000s the PCGamer magazine was actually worthwhile. It had reviewers who specialized in different genres and if read enough you could get a feel for their writing style and critical voice. The fact it was a monthly publication meant they weren’t racing to get a review out in the first 24 hours.
Nowadays it all seems like publications race to put reviews out online for relevance, and the reviewers often seem to have a disdain for video games and even if they don’t they aren’t genre experts.
I don’t like fighting games. My review of a fighting game would be trash. Yet major publications just pump out reviews by whoever.
Individual youtubers at least can develop a recognizable critical voice and stick more to genres they know and enjoy.
I’ve actually just renewed my subscription to PC Gamer, I read it on my tablet. A large part of that decision was to just help keep it alive because I feel it’s important.
Future Publishing can get fucked though.
For all of the reasons everyone’s saying here that the quality has gone. When the only revenue for an organisation is adverts and data it tends to head downhill pretty quickly.
I actively borrow content from the internet but willingly cough up the money for things that i get good use out of. There’s no way you can visit the pc gamer website without an ad blocker, so i pay a little bit quarterly and sit with a magazine instead.
I also have box sets of tv series that I’ve never opened, i just bought them because I enjoyed the pirated version so much.
I’ll listen to music on Spotify or whatever but then go to the artist website and get some merch.
There’s a lot of content that deserves to be paid for and supported.
I noticed you haven’t mentioned the actual quality of the content. Is it a responsibility to give money to a medium simply because it takes payment instead of using ad revenue?
The competition for what’s in those magazines is with independent online reviewers.
I would have thought my judgement of the quality of the content I’m willing to pay for would have been implicit.
For further context, for what it’s worth, I’m a British guy in my late 40’s who plays single player offline games. I don’t use or follow anyone from twitch, discord, or YouTube, mostly due to a lack of both time and inclination.
Embargoes exist to prevent that race. Your fighting game problem has been solved by assigning fighting game reviews to the “fighting game guy” on hand, which is why you’ll see the same byline on games in the same genre from major outlets.
I‘d rather read a well articulated opinion that is embedded into a rich cultural context than some rambling from strangers. I know the former is hard to find (Eurogamer and RPS are good, but suffer from layoffs, too). The latter I only skim through to find things I might find distracting that were omitted by others.
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Anecdotal, but I have never read a game review in my life that was from a journalist. It’s always been in forums, and lately some small youtubers. I want to hear from normal gamers, not people getting a paycheck for it.
Back in the late 90s-early 2000s the PCGamer magazine was actually worthwhile. It had reviewers who specialized in different genres and if read enough you could get a feel for their writing style and critical voice. The fact it was a monthly publication meant they weren’t racing to get a review out in the first 24 hours.
Nowadays it all seems like publications race to put reviews out online for relevance, and the reviewers often seem to have a disdain for video games and even if they don’t they aren’t genre experts.
I don’t like fighting games. My review of a fighting game would be trash. Yet major publications just pump out reviews by whoever.
Individual youtubers at least can develop a recognizable critical voice and stick more to genres they know and enjoy.
I’ve actually just renewed my subscription to PC Gamer, I read it on my tablet. A large part of that decision was to just help keep it alive because I feel it’s important. Future Publishing can get fucked though.
Genuinely, why?
For all of the reasons everyone’s saying here that the quality has gone. When the only revenue for an organisation is adverts and data it tends to head downhill pretty quickly. I actively borrow content from the internet but willingly cough up the money for things that i get good use out of. There’s no way you can visit the pc gamer website without an ad blocker, so i pay a little bit quarterly and sit with a magazine instead. I also have box sets of tv series that I’ve never opened, i just bought them because I enjoyed the pirated version so much. I’ll listen to music on Spotify or whatever but then go to the artist website and get some merch. There’s a lot of content that deserves to be paid for and supported.
I noticed you haven’t mentioned the actual quality of the content. Is it a responsibility to give money to a medium simply because it takes payment instead of using ad revenue?
The competition for what’s in those magazines is with independent online reviewers.
I would have thought my judgement of the quality of the content I’m willing to pay for would have been implicit. For further context, for what it’s worth, I’m a British guy in my late 40’s who plays single player offline games. I don’t use or follow anyone from twitch, discord, or YouTube, mostly due to a lack of both time and inclination.
Embargoes exist to prevent that race. Your fighting game problem has been solved by assigning fighting game reviews to the “fighting game guy” on hand, which is why you’ll see the same byline on games in the same genre from major outlets.
I‘d rather read a well articulated opinion that is embedded into a rich cultural context than some rambling from strangers. I know the former is hard to find (Eurogamer and RPS are good, but suffer from layoffs, too). The latter I only skim through to find things I might find distracting that were omitted by others.